Portfolio

Sara’s work.

Finished pieces, photographed, and the CAD renderings Sara draws before anything is made. Client pieces are shown without names.

Finished pieces

  • An oval diamond engagement ring with a diamond band, worn on a hand
  • Two hands wearing stacked gold bands by Sara Lundquist
  • Custom diamond ring close-up
  • Diamond ring detail
  • Blue sapphire ring with baguette diamond accents
  • Custom ring with accent stones
  • A five-stone band of round diamonds in shared prongs, held between two fingers
  • A bevelled yellow gold band with channel-set diamonds, held between two fingers
  • Custom fine jewelry detail
  • Custom ring on hand
  • A yellow gold band with a row of channel-set dark and white stones, held between two fingers
  • A hand wearing a pale blue cushion-cut stone ring with baguette sides and a thin diamond band
  • A cushion-cut gray-blue stone with tapered baguette sides, reset in a white-metal ring by Sara Lundquist
  • A channel-set diamond band held between a client’s fingers
  • Pacific Jewel Fine piece
  • Two hands clasped over a knit sweater, one wearing a stack of three thin diamond bands
  • A couple's hands, one wearing an oval diamond engagement ring with a small side stone
  • A client in a dark green dress with her hands clasped, wearing a diamond ring
  • Two yellow gold wedding bands with channel-set diamonds, resting on a stone surface
  • An emerald-cut diamond solitaire in yellow gold, held up against white linen
  • A marquise diamond in a white-metal bezel setting, worn on a hand
  • An oval diamond halo engagement ring in yellow gold, made by Sara Lundquist
  • An emerald-cut diamond engagement ring in yellow gold, worn outdoors by a client of Sara Lundquist
  • An emerald-cut diamond solitaire in yellow gold, worn on a hand in sunlight
  • An oval diamond ring in white gold on a client's hand
  • A hand wearing a blue-gray oval stone in a yellow gold bezel ring, outdoors
  • An oval diamond set in a slim yellow gold band, photographed on a white surface
  • A hand wearing a six-prong oval diamond solitaire in yellow gold
  • An east-west emerald-cut diamond ring in white metal, held between two fingers
  • A round diamond in a white-metal bezel ring, photographed on a white surface
  • A hand wearing a white-metal signet-style ring with a marquise diamond set east-west
  • Fine jewelry craftsmanship
  • An oval diamond ring in yellow gold, photographed on a white surface
  • A hand wearing a marquise diamond in a yellow gold bezel bypass ring
  • A marquise diamond in a yellow gold bezel bypass ring, worn on a hand
  • A round diamond in a wide yellow gold bezel band, held between two fingers
  • Gemstone ring close-up
  • A hand wearing a five-stone band of round diamonds in shared prongs
  • A client's hands resting on green velvet, wearing an oval diamond engagement ring by Sara Lundquist
  • Two hands wearing a plain gold band, showing how a ring sits at the base of the finger
  • An oval diamond with pear-shaped side stones in a white-metal ring, held between two fingers
  • Custom engagement ring design
  • A hand wearing an emerald-cut diamond in a white-metal setting with a small side stone
  • A marquise diamond cluster ring with a scalloped halo in white metal, worn on a hand
  • A hand wearing a marquise diamond cluster ring in white metal, against a white wall
  • A vintage-style marquise diamond cluster ring, the kind of inherited piece Sara redesigns
  • Two yellow gold bands held in a hand, made by Sara Lundquist
  • Two hands wearing gold bands made by Sara Lundquist
  • Two yellow gold bands with channel-set diamonds, stacked on a stone surface
  • Hammered gold matching wedding bands by Pacific Jewel
  • A wide gold band with a flush-set baguette diamond, worn on a hand
    A wide band with a flush-set baguette, made by Sara.
  • A yellow gold toi-et-moi ring with a green emerald-cut stone beside a smaller green round stone, worn on a hand
    A two-stone ring Sara made, with two shades of green.
  • An east-west emerald-cut diamond ring in white metal, resting on white tissue
    An east-west emerald cut, made by Sara.
  • Side view of an emerald-cut diamond ring in white metal, showing the open shoulders under the stone
    The same ring from the side.
  • A textured yellow gold bracelet with small blue and red gemstone accents, worn on a wrist
    A gold bracelet Sara made, with small blue and red stones.
  • An oval diamond ring with a halo and a band of graduated diamonds, held between two fingers
    An oval with a halo and a diamond band, made by Sara.
  • The same oval diamond ring turned to show its band of graduated round diamonds
    The same ring, turned to show the band.
  • A marquise diamond set in a yellow gold bypass ring, worn on a hand
    A marquise in a yellow gold bypass setting, made by Sara.
  • A pair of violet trillion-cut gemstones in white metal settings, held between two fingers
    A matched pair of violet trillions, made by Sara.
  • A close side view of a diamond ring with a hidden halo under the center stone and a yellow gold band
    A hidden halo, close up.

From rendering to ring

The same piece twice: as Sara drew it in CAD, and as it was made.

  • Two-stone ring with a green emerald cut and a green oval

    CAD rendering of a two-stone ring with a green emerald-cut stone beside a smaller green oval, seen from above, designed by Sara Lundquist
    The renderingTwo-stone ring with a green emerald cut and a green oval. Designed by Sara for a client · CAD rendering
    A yellow gold toi-et-moi ring with a green emerald-cut stone beside a smaller green round stone, worn on a hand
    The finished pieceA two-stone ring Sara made, with two shades of green.
  • Shared-prong band of round stones

    CAD rendering of a band of five round white stones in shared prongs, designed by Sara Lundquist
    The renderingShared-prong band of round stones. Designed by Sara for a client · CAD rendering
    Pacific Jewel Fine piece
    The finished piece

Designs

Every piece here is a CAD rendering: Sara’s own designs, pieces designed for clients, and the setting studies she modeled.

Yours would start the same way.